Daniel S. Palmer is currently an Associate Curator at the Public Art Fund. Previously, as the Leon Levy Assistant Curator at the Jewish Museum, New York, Palmer co-curated exhibitions including Unorthodox and Repetition and Difference, and curated Masterpieces & Curiosities: Diane Arbus's Jewish Giant, as well as overseeing the Masterpieces & Curiosities series of intimate exhibitions curated around a single work from the museum's permanent collection. He also helped organize public programs for the museum including AM at the JM, a breakfast salon featuring significant contemporary artists. Independently, Palmer has curated exhibitions including Lucas Samaras Pastels at Craig F. Starr Gallery, New York (2013) and co-curated Decenter: An Exhibition on the Centenary of the 1913 Armory Show with Andrianna Campbell at Henry Street Settlement's Abrons Arts Center (2013). He is a contributor to numerous exhibition catalogues and publications, among them The Whitney Museum of American Art's Hopper Drawing (2013), an exhibition for which he also conducted research; the Kunstmuseum Bonn's New York Painting (2015); as well as numerous media outlets including ARTnews, Mousse, Kaleidoscope, the Exhibitionist, and Guernica, among others. He has taught the history of art at a Rutgers University program in Paris; York College in Queens, NY; as well as at the Spitzer School of Architecture at City College, NY. He is currently a doctoral candidate in Art History at the CUNY Graduate Center, where he earned his M.Phil in 2012, and also holds a BA with Highest Honors in Art History and English from Rutgers University. While there, he undertook a Henry Rutgers Honors Thesis on the public art of contemporary British sculptor Andy Goldsworthy and received the Morse Scholarship, as well as Aresty and Bzdak travel grants. He is also the recipient of the Graduate Center Dissertation Writing Fellowship, a New Jersey Historical Commission grant, the Marlene Park Memorial Fellowship, and was a 2011 Holocaust Educational Foundation Fellow at Northwestern University.
School of the Visual Arts (SVA) BFA Fine Arts Department 20/20 Catalogue
Conversation with Naama Tsabar, co-hosted by Whitewall Magazine and Thomas Rom, May 5th, 2016.
Panel discussion about the current state of the contemporary art world with Daniel S. Palmer, Jamian Juliano-Villani, Diane Simpson, and Jayne Johnson, moderated by ARTnews magazine editor M.H. Miller, at NADA
Njideka Akunyili and Doron Langberg: Domestic Experiences / Foreign Interiors, Sensei Exchange
"A View from the Bridge: Edward Hopper and 'The Architecture of a Painting'" in Carter E. Foster, ed., Hopper Drawing (New York: Yale University Press, 2013).
(Recipient of Furthermore Foundation 2014 "The Alice" Award, and AAMC 2013 Award of Excellence for Exhibition Catalogues)
"Jewish Identity in Architecture and the Poetics of Louis Kahn" Review of Gavriel Rosenfeld, Building After Auschwitz: Jewish Architecture and the Memory of the Holocaust, in Journal of Jewish Identities, January 2013.
"Non-Jewish Architecture for Jews: the Jersey Homesteads after Auschwitz" on panel Making Inroads, Paving the Way: Postwar Architecture, Design, and the Formation of Jewish American Identity, College Art Association Annual Conference, New York.
"Hoovervilles: An Architectural and Cultural Analysis of Squatter Housing in the 1930s" Public Lecture at NurtureArt's Lawn School, New York, NY.
"Artist Shepherds: New York City Jewish Garment Workers' Flight to Nature" American Art During the Great Depression, South Eastern College Art Conference. Savannah, GA.
"Ray and Charles Eames" Public Lecture at Open Air Modern Gallery, Brooklyn, NY.
"The Genesis and Impact of New York's 1916 Zoning Resolution" Joint Conference of the National Popular Culture and American Culture Associations, St. Louis, MO.
Portrait: Carey Denniston, January, 2016. Courtesy the artist.
Background Video: Rodney Graham, Vexation Island, 1997. Courtesy the artist and 303 Gallery.